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If you're a horror movie aficionado, you've likely heard of the box office and critical hit Train to Busan. The Gong Woo-led movie follows a group of travelers fighting for their lives aboard a zombie-infested high-speed train hurtling to one of the last safe places in the country. The film's powerful class commentary shows the benefit of taking collective action over prioritizing individual survival. Critics pointed out how the movie may be a response to the Sewol ferry disaster of 2014 that left 300 dead, including around 250 teenagers.
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This animated prequel to Train to Busan imagines Seoul's lockdown at the start of the zombie outbreak. The movie follows former sex worker Hye-sun, who is searching for her pimp-slash-boyfriend amidst the chaos. While Train to Busan luxuriates in the spectacle of violence and the social conditions that triggered it, Seoul Station looks closer at the lives who are at the margins and most likely to be cast aside in a cataclysmic event. In fact, one of the first zombies is an old homeless man, yet his affliction is ignored due to his age and social status.
Zombie apocalypse is a genre of fiction in which society collapses due to overwhelming swarms of zombies. Typically only a few individuals or small bands of survivors are left living. In some versions, the reason the dead rise and attack humans is unknown, in others, a parasite or infection is the cause, framing events much like a plague. Some stories have every corpse rise, regardless of the cause of death, whereas others require exposure to the infection.
The zombie apocalypse has been used as a metaphor for various contemporary fears, such as global contagion, the breakdown of society, and the end of the world. It has repeatedly been referenced in the media and inspired various fan activities such as zombie walks, making it a dominant genre in popular culture.
The myth of the zombie originated in Haiti in the 17th and 18th centuries when African slaves were brought in to work on sugar plantations under the rule of France. The slaves believed that if they ended their own lives by suicide they would be condemned to spend eternity trapped in their own bodies as the undead. This myth evolved in the Voodoo religion into the Haitian belief that corpses were reanimated by shamans.[1] The zombie concept eventually infiltrated western culture with the publication of the first example of zombie fiction in 1927, which was a book titled The Magic Island written by William Seabrook. The book was later adapted for cinema as the 1932 film White Zombie.[2] Directed by Victor Halperin and starring Bela Lugosi, it was the first feature-length zombie film, establishing the sub genre of zombies and paving the way for the zombie apocalypse in cinema.[3]
In the unclassified document titled "CONOP 8888", officers from U.S. Strategic Command used a zombie apocalypse scenario as a training template for operations, emergencies and catastrophes, as a tool to teach cadets about the basic concepts of military plans and disaster preparation using its admittedly outlandish premise.[29][30]
Donald Clarke writing for The Irish Times described Night of the Living Dead as one of the most influential horror films of all time. He commented, "Romero's dark fantasy dragged in many of the anxieties of its age. And, of course, it gave the horror world a new monster: a being that rises from the grave to feast on human flesh. They came to be known as zombies".[7] Jon Towlson of the British Film Institute remarked that the ground-breaking legacy of the film lies in, "Romero making the zombies into flesh-eating beings, creating an allegory of a society devouring itself from within. This would become the central metaphor underlying much modern apocalyptic horror".[32] Adam Nayman of The Ringer considered that the power of the zombie apocalypse movie is its plausibility. He said, "In Night of the Living Dead and Dawn of the Dead, Romero had smartly de-emphasized the why of his zombie outbreaks to focus on the physics (and metaphysics) of human survival: how the end of the world would bring out the best and worst in the human condition".[33] Nicholas Barber from BBC Culture opined that, "zombies embody the great contemporary fear", noting their "relentless shuffle into the mainstream of popular culture" and particularly highlighted the commercial and critical success of films like 28 Days Later, Dawn of the Dead and Shaun of the Dead.[9] Devon Maloney writing for Wired commented that zombie fandom shares a group mentality that has manifested in group activities like zombie walks, and that the concept of seeing a zombie as an "other" has been a complicated metaphor. He said, "The more realistic apocalypse scenarios in movies struggle to be, the more likely people are to consider them seriously".[34] Kerrang!'s Mike Rampton wrote, "Perhaps the most appealing element of a zombie apocalypse is that it draws people together, forcing them to put their differences aside to unite against a common enemy and set it on fire. Other than the extraordinary violence involved, that sounds like a dream come true".[35] Sophie Collins of MovieWeb considered that the appeal of the genre is that it is an escapist fantasy about survival: "Perhaps people underestimate what it takes to fight off a swarm of flesh-eating zombies, but almost everyone thinks they can handle it, and that's exactly what makes these movies so entertaining."[3] In 2018, The Independent reported the findings of a survey conducted by NOW TV, which found that almost 25% of British people had a plan to survive a zombie apocalypse. The survey also found that one in six had considered putting in place a survival kit. Most respondents believed that the zombie apocalypse would begin in New York City and spread to London. It also found that one in ten respondents believed that they would only survive for one week in a post-apocalyptic world.[36]
We are not fighting the zombie apocalypse, but one of the first measures taken by local authorities to prevent contagion was the closure of #Gyms and #SportsCenters across the country. At that point, #fitness lovers and addicts refused to lay still and were left with only one choice to keep their body moving: #FitnessApps.
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