Nearly halfway through the film, the overwrought von Kammacher retreats to his cabin on a liner crossing the Atlantic to the US. In his sleep, he meets a dead friend with whom he walks through the streets of Atlantis. While Blom succeeds in giving this sequence an oneiric quality, the lost continent is rather obviously just a Danish town. This tension makes it appear oddly prescient of Ingmar Bergman's symbolic use of Scandinavian settings in a film such as Smultronstället (Wild Strawberries; Sweden 1957), but it is profoundly at odds with the rest of the film's realist aesthetics. In Blom's defence, the equivalent brief passage...
Introduced with German titles throughout, some are comical. This film is titled "Dreibubenhaus" [The House of the Three Boys] in honor of a then current theatrical presentation in Vienna. CUs, the twin boys don hats and joke for the camera. Sequence of the boys waking up, saying prayers, washing faces, getting dressed, and ready for school. The three Illich boys eat breakfast and exit their home (filmed from mother Ellen (Maexie) Regenstreif's room on the top floor of the villa), walking the grand grounds of Villa Regenstreif. The governess "Selli" Frauer escorts the boys onto a tram and kisses them goodbye as they enter school. Pan of the city square with the school on one end, panning up to the grand Baroque Piarist Church of Maria Treu. The boys eat lunch with their grandfather, Fritz Regenstreif, and governess. Views of the ornate home. CUs of the boys eating. 01:05:34 Sascha and Micha play the piano and the violin with teacher and friend Olga Novakovic, and then sit at their desks and do their homework. Ivan holds a little bird named Hansi. The twins play with a wooden model house. The three boys say their prayers, kiss each other good night and go to sleep. 01:08:24 Part 2 - on Sunday. Pan of the Vienna skyline from the top of the landmark highrise building at Herrengasse ("Hochhaus Herrengasse", built in 1931-32 by architects Theiss and Jaksch, was Vienna's first highrise). The boys chase a car as it drives by the camera. The family makes a trip to the grave of their grandmother, Johanna Regenstreif (d. 1934), in Potzleinsdorf. 01:09:43 The boys go sledding in winter on the meadow of "Wasserturm". For Three Kings Day, the family dresses in costume and act for the camera. The women -- Maexie, friend Vita Kuenstler [who worked at the Neue Galerie and apparently took over its management when it was Aryanized], and the governess -- playfully hassle one another. One of the twins is costumed as Hans Albers, and another as Michael Moser [probably 'Hans Moser', a prominent film and stage actor of the 1930s whose role as the muckraking civil servant ("Amtsdiener" as the intertitle suggests) were legendary]. 01:12:56 Blossoms on the trees in springtime, followed by a sequence in autumn with the family visiting Vienna's most famous overlook at Leopoldsberg (a church and estate at the top of a hill). They continue on to the monastery at Klosterneuburg and pose for a photograph at St. Leopold with their grandfather. 01:15:10 Children gathered around a table with sweet treats for a birthday tea party. Ivan sits next to his friend, Marion Stein (daughter of Erwin Stein, a very important colleague of Mahler, Bartok, Weber).
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